Archive for the 'Media' Category

Covering the credit crunch

It’s bad out there. But can even the collapse in global markets justify the increasingly frenetic coverage of financial markets? Things have got so gloomy that, this morning, the Guardian has launched a new “Crisis Watch” column, in which resident in-house doom mongers

“Larry Elliott and Will Hutton will analyse the latest developments in the financial crisis every Tuesday to Friday for the coming weeks”

If, in the coming days, the paper feels obliged to put Hutton on twice-daily rotation, we can be assured the end is nigh. Elsewhere, television increasingly resembles wartime, with breathless front-line reports and whizzy, graphically intensive briefings from experts. The 119,000 confused residents of Reykjavik must be wondering how their city became the credit crunch equivalent of Praia De Luz, with the world’s media suddenly camped out, waiting for Iceland to sink under the weight of its debts. Would that Chris Morris were still plying his trade, the updating of the famed “Its War!” skit would be welcome. That said, in this morning’s FT, i found perhaps the simplest explanation of current events, from Tony Jackson:

“Compared to 1929, there are two main differences today. First, world policy makers grasped the scale of the threat more quickly and are prepared for much more drastic action. Against that, the financial system is more complex. And thanks to modern communications, the pace has accelerated enormously. So any policy action is uncertain in its effect and generally out of date by the time it arrives.”

Such complexity explains why even Henry Paulson wasn’t able to forsee that, a few weeks on, that letting Lehman Brothers go bust would turn out to be a bad idea. Some small comfort for the citizens of Iceland, perhaps, although perhaps not enough to stop them worrying about Will Hutton’s imminent arrival.

Winners and Losers of the Great Crash

Winners

1) Vince Cable

2) Robert ‘Scoop’ Peston

3) Sky News (which other news channel ran the FTSE and Dow Jones figures on screen through their bulletins)

4) Jeff Randall

5) Jon Stewart

6) Gordon Brown (’this is no time for novices’)

Losers

1) US Treasury Secretary Paulson (shmendrick)

2) President Bush (rabbit in the headlights award)

3) Jeremy ‘Figures’ Paxman

4) Stephanie Flanders (where is she when we need her?)

5) Shadow Chancellor (while Cameron was being all statesmanlike at Birmingham, George just couldn’t stop himself, all smirks and no substance)

6) Iceland

Fear and Loathing on Newsnight

One last thought about Ruth Kelly… Was she any good? I mean, everyone keeps going on about how hard-working she was as a cabinet minister, how young she was, what a great mind she has. Will Hutton could not have been more complimentary and that may not be a big deal to you, but it means a lot to me. And journalists have looked at this from every angle: Did she jump? Was she pushed? Did this push-me pull-you thing happen at 3 in the morning or at 3.30? Was it all because of David Grossman’s (from Newsnight not the Israeli novelist) brilliant scoop about the cabinet reshuffle the night before? I mean, really every angle.Was it good for Gordon? Bad for Gordon? Good for Miliband? Good for Cameron? Good for backbenchers I’d never heard of and will never hear of again (if I can help it). We’re talking lots of angles.

But no one that I heard — on Newsnight, The World at One, Channel 4 News, The Ten O’Clock News, Newsnight (again) — said whether she was any good at what she did. No one looked at British education while she was education secretary or the state of British transport. No one crunched any figures. Grade inflation? Number of teachers or headteachers retiring early? Stats on classdroom violence. Failing schools. Number of illiterate and innumerate children leaving primary school? Number of illiterate and innumerate children leaving secondary school? Number of employers stuck with kids who can’t read or write but have GCSEs worth nothing? Not a word. What about transport? How about those rail line closures we kept reading about in the summer? Those unbelievably expensive rail fares? Anything to do with the minister of transport? Is the Eurostar still going slower in Kent than in northern France? Just wondered. Terminal 5? Airlines going bust? Is that transport?

Just wondered. Curious that Jeremy Paxman, Martha Kearney and Jon Snow didn’t.

Flaming for Obama

America’s political battles are no longer just fought on the hustings and in the television studios; some of the fiercest take place in the blogosphere. Peter Jukes, a seasoned veteran of the Democratic primary wars, recalls the highs and lows of that internecine struggle, and looks to the battle ahead.

Strange times on Freeview

Just when you thought you knew where you were with British TV things have taken a strange turn. Or several strange turns.

1) Best live sports moment of the autumn

Sky Sports News (yes, really) for its superb coverage of the last night of the football transfer window. As the poor old BBC werre still telling us that Tottenham had accepted Manchester City’s offer for Berbatov, there was Sky with live footage of Berbatov with Ferguson and Gill at Old Trafford. Helped by the craziness of Manchester City’s bid for Robinho, Sky managed to turn the football transfer saga (without a single interview with any players, managers or agents) into unmissable TV.

2) The revival of ITV drama — and a memorable arts programme

Just when we thought no one need bother watching ITV again, ITV peak-time drama has taken on a new lease of life. The three-parter ‘Children’ (Mondays at 9pm) has just finished, ‘Lost in Austen’ (Wednesdays at 9pm) is half way through and then from next Monday, Juliet Stevenson and Greg Wise will be starring in a new three-parter, ‘Place of Execution’. Before getting too excited, however, we should note that ‘Celebrating - The South Bank Show’ has been banished to ITV3 and that ‘Faith in the Frame’ on religious art was after midnight last Sunday. Shame on Fincham and Grade. You shysters. Last week’s clips of the classic programme with Francis Bacon was one of the highlights of the year.

3) More4 — really?

Who’d have thought that both the best current affairs programme and the best entertainment programme on British TV would be on More4? Yes, they are the same show as fans of ‘The Daily Show with Jon Stewart’ will already have guessed. At 8.30 on weekdays it is the classiest satire programme on TV, ridiculing TV pundits and politicos alike with superbly researched TV clips, all held together by the best TV frontman in America at the moment (that’s why he was presenting this year’s Oscars show).

4) And, of course, there’s BBC4

Christopher Nupen’s great documentary about ‘Jacqueline du Pre and the Elgar Cello Concerto’ (Friday, September 26, 7.30 pm) begins an 8-part series of Nupen’s films on BBC4 on Friday evenings. That’s what BBC 4’s for — but what, exactly, is BBC 2 for?

Hovis ad

The new Hovis ad tells the story of modern Britain through a series of iconic images (Suffragettes, soldiers marching off to World War I, the Blitz). The idea is that Hovis has always been there, on every step of the journey.

There is one interesting twist, though. At a certain point the ad runs out of iconic images. After The Blitz and VE Day comes the youthful, multi-racial 1960s and ’70s (mini-skirts, tank tops and all), then the 1980s Miners’ Strike and then the fireworks celebrating the Millennium and, er, that’s it. In other words, no binding images that pull us together. Not the Falklands, not LiveAid, not 1997, not even the death of Diana. No landarks, no images, no moment comparable to the Big History of two World Wars and the Swinging Sixties.

Perhaps it’s a sign of Brown’s Britain.  A sense that we’ve run out of steam. All the action is elsewhere. Or perhaps the enduring images of the last twenty years are too complicated (Iraq? 7/7?). Or too sad (Diana’s death). Or elsewhere (the Fall of the Wall, 9/11). Or too divisive. So much for Cool Britannia, BritPop and all the other Brit-hype from the last ten years.

Prospect online this week

This week on Prospect online, historian Marko Attila Hoare argues that Russia’s intervention in Georgia and its recognition of Abkhazia’s and South Ossetia’s “independence” are not equivalent to western action over Kosovo or Iraq. Instead, Moscow’s behaviour is that of an imperial power brutally attempting to preserve and expand its sphere of control—and it must be opposed.

Also this week, Salil Tripathi explains why India is condemning its farmers to misery and impoverishing its own citizens by refusing to move on from its outdated approach to agriculture.

All hail Arianna

Andrew Keen told me that the one glaring omission from our list of public intellectuals was Arianna Huffington, the Greek-born socialite who is turning the US political media upside-down with her blog-cum-aggregator-cum-celebrity-gabfest the Huffington Post.

I didn’t get it. After all, while the HuffPost may have a readership extending into the millions, and while it may even represent a serious threat to the future of the newspaper industry, how does this make its proprietor—who seems to change her mind more often than John Gray—worthy of the tag intellectual?

But in his portrait of Huffington in the new issue of Prospect, Keen suggests that we may be witnessing the emergence of a new kind of intellectual, one whose influence is measured not in terms of his or her ideas, but by the quality and extent of his or her personal network. And no one has a more powerful network than Arianna. Click here to read his piece in full, and let us know your thoughts below.

Gulen, NPR and me

Earlier today I was interviewed about the Prospect global public intellectuals poll by Robert Siegel on All Things Considered on the US radio network NPR - to listen, click here and follow the link at the top.

Enough already with the smack, Shmu’el

There are less than 300 Jews in British prisons, and Samuel is almost certainly the only convicted (former) international drug trafficker amongst the ultra-Orthodox Hasidic Jews of Stamford Hill in north London. “The Prisoner,” episode one of Jews, a three-part BBC4 documentary which starts on Wednesday 18th June, charts Samuel’s mission to reassimilate into a community which is in many ways more challenging than his previous nine years of hard time in Brazilian, Israeli and English prisons.

“A yiddische, haddische boy, with the curls and everything, what did I know about drugs?” Samuel, 38, muses, whilst allowing that Hasidic garb is a good drug smuggling disguise only up to a point, since it led to 12 years in jail. “He’s obviously unique: there isn’t another such case” his brother explains, adding that returning to a “very disciplined lifestyle” in a closed community with strict rules, severe dress code and segregation of the sexes will be very different from prison. Samuel must wear an electronic tag for five months following release, but this is almost unnecessary: everybody knows each others’ business in an enclave where people live according to rules fashioned in 18th-century eastern European villages.

The 20,000 Stamford Hill Hasidim have rarely been documented, much less filmed, by outsiders. Televisions are not encouraged in private homes. The internet is anathema. Women must not look men in the eye, and wear wigs and hats—in case the wigs are too realistic. One pious soul spends her days sewing up slits in skirts. Children wear tights from the age of three. People sway and mutter in constant prayer, including before and after using the toilet. While forgiveness and charity are part of the community ethic, Samuel himself must now choose between his former outlaw life and religious conformity. Having lived among criminals, not to mention non-Jews, he will never recover the carefree innocence of the young people scurrying about in black hats and coats, staring at the ground.
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